![]() ![]() Quite ample detail overburdening follows shortly, mostly by way of ominous narrative pronouncements, flashy visual markers that scream "I AM A LETHAL ASSASSIN FROM A CULT THAT DOESN'T KNOW WHAT 'SECRET' MEANS". The next couple of pages make up for that. ![]() It serves to introduce the protagonist in a way that says something about his decisiveness, about his past, and about his relationship with that past, but it does not overburden itself with detail. It hints at something big and, perhaps, shadowy. ![]() It's a short sentence, and while it does not immediately grab you the way some of the greatest first sentences of novels ever written do, it does perhaps intrigue the reader. a few days later, so you have time to forget some of the advice you might find on the first webpage that comes up in a search for "first line of a novel" when you're stumped for ideas on how to write a great first line. It is, in fact, exactly the kind of thing you'd write after ten minutes of pondering how to start a novel about an assassin who quits his secret assassin cult to rescue a fair damsel, some time in the days immediately following a three hour writer's workshop held at the local book store by someone who had recently published his or her first novel. It's a well-chosen, well-constructed first line for a novel, if not particularly original or precisely "great". The first page of the prologue begins with a line of dialog: "I quit The League tonight". ![]()
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